Bernard's Hot Tips for the Biz


 

 

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Music Connection Feature Story

 
HOT TIPS
   
In the music business you often hear the phrase, “You’ve got to pay your dues.” While that may be true (to a certain extent), it doesn’t have to be painful, or last a long time. There are many ways to achieve your goals; and, with “Bernard’s Hot Tips” you’ll find shortcuts and reality checks that will make your “dues” go down easier.   

 

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Production & Recording

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Twenty Home Recording Tips

Twenty Home Recording Tips From The Experts

Fifteen Production & Recording Tips


 

Tips, Tricks & Money-Saving Ideas 

With so many artists recording at home, we sought out experts in the “art of recording” to compile tips, tricks and money-saving ideas. We talked to record producers, mixing and mastering engineers, and artists whose recordings were so good they got them to the next level. Of course, artists who have done home recordings know that there’s much more involved than simply getting a sound on tape or a hard drive. To help you step up your learning curve, and get the best recording you can, we’re offering the following tips.

THE EXPERTS

(DC) - David Choi is a songwriter, performer and producer whose homemade demos landed him a deal with Warner/Chappell Music. 

(TM) - Tim Fagan is a songwriter and guitarist whose home recording won the “John Mayer Songwriting Contest” in Esquire Magazine

(DT) - David Thiele is a songwriter, performer and producer whose home recording got him a record deal – as an artist and a producer - with indie label, New Land Music. 

(DA) - Dave Alhert owns Vortex Recording and has engineered and mixed records for everyone from The Jacksons to the new indie favorite (according to Rolling Stone Magazine), Elvis Perkins. 

(SM) - Stephen Marsh was the mastering engineer for Sony Music, a production engineer for BMG and Director of Mastering for Threshold Sound & Vision. Currently, he runs his own mastering studio.  Marsh has worked with the top names in the business, including Incubus, Los Lobos, Korn, Jeff Beck and Keb’ Mo’, to name a few. 

(DG) - Dito Godwin is an independent record producer whose recordings have sold over 10,000,000 records. Godwin has worked with No Doubt, members of KISS, Mötley Crüe, Susan Gibson and Charley Pride, among others. Additionally, he reports that he has worked out of dozens of home recording studios, besides his own.

 

RECORDING TIPS

 

1. THE LEARNING CURVE

DT: You should take some time to learn about the recording process. I went to a recording school because I wanted to produce. If school is out of the question, at least read a few books like “Modern Recording Techniques” by Robert E. Runstein and David Miles Hube.  

DC: You should realize that it’s going to take a learning curve to get the best results. It took me a lot of trial and error before I was able to get what I wanted. 

DG: It can take years to learn how to use Pro-Tools and other hard drive systems effectively. In fact, in the beginning they can be more confusing than helpful. 

SM: The most common problem I encounter is a lack of knowledge and experience. You have to know how far you can push things, and how it relates to everything else in your recording. 

Note: There are also websites that are helpful such as homerecordingtips.co.uk,

and Guitar Nine’s Home Studio Registry at guitar9.com/hsregistry.html.

 

2. YOUR PROJECT SHOULD MATCH YOUR BUDGET

DG: Don’t spend more that the recording deserves. Figure out what you’re going to do with it.  If it’s serious and you have the budget, hire professionals. You’ll be glad you did. It will actually save you time; and, could also save you money down the line.

 

3. KEEP IT SIMPLE

DA: If you’re not getting the sound you want, don’t start fooling with EQ and gain. Instead, just move the microphone around until you get the sound you need. You’ll be surprised – small adjustments can make huge differences in the sound.

 

4. PAY ATTENTION TO THE ACOUSTICS

DG: You’ll achieve better acoustics if you use a space that doesn’t have parallel walls. If you don’t have that available, try to set something up to accomplish it. 

DG:  When recording vocals, find the deadest spot in the room and set up there. Clap your hands to make sure there’s no echo. If you want an echo, use a bathroom. The tiles will bounce the sound. 

DA: Glass absorbs sound. So use curtains or some sort of covering in front of windows.

 

5. AVOID AMBIENT NOISE

DG: Be aware of ambient noises, like dogs, planes and phones. I’ve had to stop more than a few home recordings because of planes. 

DT: Keep your computer far enough away so that your recording doesn’t pick up the noise it makes. Sometimes, a closet will work well.

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By: Bernard Baur

 

 

 

 

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